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Onslow Ford Photos

Edward Onslow Ford (1852-1901) - Glory to the Dead (1901) Edward Onslow Ford (1852-1901) - Justice and Knowledge (c.1898) Edward Onslow Ford (1852-1901) - Applause (1893) and The Singer (1889) front left on pedestals (composite photo) Edward Onslow Ford (1852-1901) - The Singer (1889), front (adjusted) and front left on pedestal Edward Onslow Ford (1852-1901) - The Singer (1889), front left on pedestal Edward Onslow Ford (1852-1901) - The Singer (1889) and Applause (1893) - my suggestion for how to display them (montage of photos from Tate Britain, 2015 and 2012 respectively) Edward Onslow Ford (1852-1901) - The Singer (1889) feet and base of harp, back right, once again on display at Tate Britain, Feb 2015 Edward Onslow Ford (1852-1901) - The Singer (1889) back right 3, once again on display at Tate Britain, Feb 2015 Edward Onslow Ford (1852-1901) - The Singer (1889) front right 2, once again on display at Tate Britain, Feb 2015 Edward Onslow Ford (1852-1901) - The Singer (1889), right (with Applause (1893) in background), once again on display at Tate Britain, Feb 2015 Edward Onslow Ford (1852-1901) - The Singer (1889), front left, wide angle, above knees upward, once again on display atTate Britain, Feb 2015 Edward Onslow Ford (1852-1901) - The Singer (1889) back right (new), Tate Britain, Aug 2010 John William Simpson, architect (1858-1933) and Andrea Carlo Lucchesi, sculptor (1860-1924) - Edward Onslow Ford Memorial, Abbey Road, London, August 2014, front Edward Onslow Ford (1852-1901) - The Singer (1889) front, on pedestal Edward Onslow Ford (1852-1901) - Linos (1884) back right, contemporary line engraving with gaussian blur Edward Onslow Ford (1852-1901) - Linos (1884) back right, contemporary line engraving Edward Onslow Ford (1852-1901) - Knowledge (c.1898) Edward Onslow Ford (1852-1901) - comparison - The Singer (1889), Tate Britain Aug-Sep 2010, and Muse of Poetry (1891), The Friars, Canterbury, Kent, October 2012 Edward Onslow Ford (1852-1901) - Linos (1884), left 1, Lady Lever Art Gallery, Port Sunlight, Cheshire, June 2013 Edward Onslow Ford (1852-1901) - Linos (1884), front half-left, Lady Lever Art Gallery, Port Sunlight, Cheshire, June 2013 Edward Onslow Ford (1852-1901) - Fate (exh 1902) back (and Folly (1886) back left) (flash), Lady Lever Art Gallery, Port Sunlight, Cheshire, June 2013 Edward Onslow Ford (1852-1901) - Fate (exh 1902) right, and Folly (1886) back right (flash), Lady Lever Art Gallery, Port Sunlight, Cheshire, June 2013 Edward Onslow Ford (1852-1901) - Folly (1886) front left 2, Lady Lever Art Gallery, Port Sunlight, Cheshire, June 2013 Edward Onslow Ford (1852-1901) - Folly (1886) 1, Ashmolean Museum, Oxford, August 2016 Edward Onslow Ford (1852-1901) - Folly (1886) 7, Ashmolean Museum, Oxford, August 2016 Edward Onslow Ford (1852-1901) - Folly (1886) 9, Ashmolean Museum, Oxford, August 2016 John William Simpson, architect (1858-1933) and Andrea Carlo Lucchesi, sculptor (1860-1924) - Edward Onslow Ford Memorial, Abbey Road, London, August 2014, detail of bust and inscription on back 1 John William Simpson, architect (1858-1933) and Andrea Carlo Lucchesi, sculptor (1860-1924) - Edward Onslow Ford Memorial, Abbey Road, London, August 2014, detail of bust and inscription on back 2 John William Simpson, architect (1858-1933) and Andrea Carlo Lucchesi, sculptor (1860-1924) - Edward Onslow Ford Memorial, Abbey Road, London, August 2014, front of figure and text Edward Onslow Ford (1852-1901) - Folly (1886) back (flash), Lady Lever Art Gallery, Port Sunlight, Cheshire, June 2013
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